Letter To Philip Francis, Esq. (1790)
From Prose Of Edmund Burke edited by Sir Philp Magnus (1948)

Your remarks upon the first two sheets of my Paris letter, relate to the composition and the matter. The composition, you say, is loose, and I am quite sure of it—I never intended it should be otherwise. For, purporting to be, what, in truth, it originally was, a letter to a friend, I had no idea of digesting it in a systematic order. The style is open to correction, and wants it. My natural style of writing is somewhat careless, and I should be happy in receiving your advice towards making it as little vicious as such a style is capable of being made. The general character and colour of a style, which grows out of the writer's peculiar turn of mind and habit of expressing his thoughts, must be attended to in all corrections. It is not the insertion of a piece of stuff, though of a better kind, which is at all times an improvement.

Your main objections are, however, of a much deeper nature, and go to the political opinions and moral sentiments of the piece; in which I find, though with no sort of surprise, having often talked with you on the subject, that we differ only in everything. You say 'the mischief you are going to do to yourself is to my apprehension palpable; I snuff it in the wind, and my taste sickens at it.' This anticipated stench, that turns your stomach at such a distance, must be nauseous indeed. You seem to think I shall incur great (and not wholly undeserved) infamy by this publication. This makes it a matter of some delicacy to me to suppress what I have written; for I must admit in my own feelings, and in the feelings of those who have seen the piece, that my sentiments and opinions deserve the infamy with which they are threatened. If they do not, I know nothing more than that I oppose the prejudices and inclinations of many people. This I was well aware of from the beginning, and it was in order to oppose those inclinations and prejudices that I proposed to publish my letter. I really am perfectly astonished how you could dream, with my paper in your hand, that I found no other cause than the beauty of the queen of France (now, I suppose, pretty much faded) for disapproving the conduct which has been held towards her, and for expressing my own particular feelings. I am not to order the natural sympathies of my own heart, and of every honest breast, to wait until all the jokes of all the anecdotes of the coffee-houses of Paris, and of the Dissenting meeting-houses of London, are scoured of all the slander of those who calumniate persons that, afterwards, they may murder with impunity. I know nothing of your story of Messalina. Am I obliged to prove juridically the virtues of all those I shall see suffering every kind of wrong, and contumely, and risk of life, before I endeavour to interest others in their sufferings, and before I endeavour to excite horror against midnight assassins at back-stairs, and their more wicked abettors in pulpits? What !—Are not high rank, great splendour of descent, great personal elegance and outward accomplishments, ingredients of moment in forming the interest we take in the misfortunes of men? The minds of those who do not feel thus, are not even systematically right. 'What's Hecuba to him, or he to Hecuba, that he should weep for her'? —Why?—Because she was Hecuba, the Queen of Troy— the wife of Priam—and suffered, in the close of life, a thousand calamities! I felt too for Hecuba, when I read the fine tragedy of Euripides upon her story; and I never inquired into the anecdotes of the Court or City of Troy, before I gave way to the sentiments which the author wished to inspire.

You find it perfectly ridiculous, and unfit for me in particular, to take these things as my ingredients of commiseration. Pray why is it absurd in me to think that the chivalrous spirit which dictated a veneration for women of condition and of beauty, without any consideration whatever of enjoying them, was the great source of those manners which have been the pride and ornament of Europe for so many ages? And am I not to lament that I have lived to see those manners extinguished in so shocking a manner, by means of speculations of finance, and the false science of a sordid and degenerate philosophy? I tell you again that the recollection of the manner in which I saw the Queen of France, in the year 1774, and the contrast between that brilliancy, splendour, and beauty, with the prostrate homage of a nation to her, and the abominable scene of 1789, which I was describing, did draw tears from me and wetted my paper. These tears came again into my eyes, almost as often as I looked at the description; they may again. You do not believe this fact, nor that these are my real feelings, but that the whole is affected, or, as you express it, downright foppery. My friend, I tell you it is the truth; and that it is true, and will be truth, when you and I are no more; and will exist as long as men with their natural feelings shall exist. I shall say no more on this foppery of mine.